Playing technique of an unidentified nature, mentioned by Sobieski, who fails to add specific details, though informing us that "It proved to be a quite characteristic technique, different from the bagpipe playing techniques of Wielkopolska [Greater Poland], because it relies on the skill to use przedęcie of the 1st and 2nd [i.e. the 2 lowest; ws] fingerholes"; Thus indicating that "overblowing" is involved, Sobieski adds that "It gives Kozioł melodies the proper specific phrases and melodic mannerisms, which - significantly - had a considerable influence on the view of melodic lines of folk songs sung in the region of the Kozioł" [i.e. Babimojsko (Lubuski), viz Babimost and surroundings; ws].